Nicole
Sweeting (born 1973, Nassau, Bahamas) became an artist rather accidentally,
after happily spending eleven years teaching Language Arts in the Government
School System of the Bahamas. In 2005, an artist visited the school where
she was teaching to present his portfolio, and Sweeting was enthralled,
striking up a long conversation about process and material. Her experience with the visiting artist
inspired her develop the artistic leanings that she had set aside since grade
school.
Sweeting
pushed herself to focus on her personal artistic development while continuing
her work as a teacher, and simultaneously looking after her children and
family. She confesses to spending many
late nights at the kitchen table, determined to one day find a way to pursue a career
as an artist. During this period,
Sweeting explored various mediums, but the discovery of clay was the
catalyst for one motivating ambition: to study and harness three
dimensionally, all the beauty of the human form in collaboration with the
beauty of her country and culture.
Sweeting's
first body of work was a series of studies of the human figure, and she
presented several of these works in the group show, First All Ceramic Exhibition (2009), where they were snapped up by
awestruck collectors. Following this
unexpected success, she was commissioned in 2010 to produce her first bronze, a
monumental work of Junkanoo figures at Nassau International Airport.
With funding from the
airport project, Sweeting retired from teaching and now works as a full time
artist. She is currently working on a
new body of work in clay and bronze inspired by Junkanoo, a compelling part of personal
history as her father was an acknowledged Junkanoo legend. She finds that "the excitement of the
event serves as an endless source of inspiration", made even more
fascinating by the challenges of the bronze casting process.