| AS WE ARE CATALOGUE |
Catalogue of the artworks for Street Photography exhibition entitled As We Are
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| Elkino Dames Catalogue |
Elkino Dames Catalogue |
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| Youngie & Exuma, The Tribune Arts Section, October 20th 2010 |
Article about Tony "Exuma The Obeah Man" McKay" written by Jeffarah Gibson
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| Sitting With The Dead "Medium" a show of Bahamian religion and spirituality, The Nassau Guardian, Saturday December 2, 2017 |
An article about Tony "Exuma The Obeah Man" McKay in The Nassau Guardian written by Dr. Ian Bethel Bennett.
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| NAGB Press Release for Dave Smith's exhibition 'Twist of Fate' |
In 2008, a concise retrospective of 15 signature paintings from the 1970s and 1980s was held at the National Art Gallery of The Bahamas entitled 'Dave Smith: Twist of Fate' and curated by NAGB founding director Dr. Erica M. James.
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| Building a Career and a Community in The Bahamas by Jessica Colebrooke |
American magazine Ceramics Monthly interviews Bahamian ceramicist Jessica Colebrooke
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| 36th Annual Central Bank of The Bahamas Open Category Competition & Exhibition |
Press release and Information
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| All the Small Things : Jordanna Kelly and the Process of Creation |
Curatorial Essay to Accompany Jordanna Kelly's Solo Show, OVERWHELMED, by Letitia M. Pratt |
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| June Collie and the Construction of Beauty by Letitia Pratt |
Letitia Pratt analyzes how June Collie defines beauty within her work, focusing on "Dollhouse" an interactive instalation done for the DAF. |
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| A Body of My Own: Anina Major Reclaims the Body |
Feminist Analysis of Anina Major's 'To Have and Not to Own' (2018) by Letitia Pratt.
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| Are we one with nature? G. Paul Dorfmuller’s 'Nassau Corner' (2018) |
Analysis of the representation of the Black body in G Paul Dorfmuller's 'Nassau Corner' by Letitia Pratt. |
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| Government Cultural Grant Application Form |
Application for artistic and cultural grants. |
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| Corinne Lampkin reviews Dave Smith exhibition (2016) |
Review for exhibition titled 'Headlines', drawing parallels with contemporary Bahamian reality |
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| Dr. Ian Bethell Bennett: Brent Malone exhibition review/ cultural observation and opinion (2016) |
"James’s capturing of Malone’s work brought all of this to mind as it was a retrospective that encompassed such a wide variety of work, styles and themes: from Junkanoo to portraits he had a finger on the Bahamian pulse, as varied as it may be." |
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| Jerry Philogene: Wrestling with The Image- Exhibition Review (2011) |
Drawing upon this visual multilingualism, these artists create a polycultural visuality that illustrates the multiplicity of their identities: identities formed and informed by memories of.... |
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